Chipboard relief; intaglio inked with color viscosity inking. Printed on Zerkall Copperplate, 11″ x 15″, 2015.
Stupid Lubbers, 2014. Five-run pattern repeat screenprint, 15″ x 11″. Edition of 22.
Fruit Bowl Goes to the Future, Kathleen Hudspeth, 2014. 4-color process screenprint from hand-drawn positives. Edition of 12. 8.5″ x 10″.
Magic City Snake Oil, K. Hudspeth, 2013
Baby Love, 2013, K. Hudspeth. Etching with Chine Collée and hand-drawn elements. Appoximately 4″ x 6″.
The Clique, Kathleen Hudspeth, 2013. Unique mezzotint; image size approx: 3″ x 2.25″.
You Don’t Need, 2012, Stone Litho (second state) with Watercolor Monotype; edition of two; 19″ x 13″.
My Miami, 2012; Screenprint, Edition of 15, 15″ x 11″
To the Last Drop, 2011. Stone Lithograph with Monotype. 15″ x 11″.
Overboard (Knothole), Kathleen Hudspeth, 2012. Impression 39 of 50 printed for the Legal Art CSA; Paper size 15″x 11″, collograph (chipboard relief), intaglio inked with a relief roll; printed on Zerkall Copperplate.
Into deep water, 2011; chipboard relief, 15″ x 11″.
Ye Biddy Yeah, 2011; Trace drawing with stencil flats; 11″ x 7.5″.
Flower Print, Kathleen Hudspeth, 2011. 4-run screenprint from hand-drawn positives. Edition of 4.
Work Hard, Kathleen Hudspeth, 2010. Kronen-fold 8-page artist book. Pronto Plate Litho. Unique.
Sunken Deep, 2011; Stone Lithograph, Maniere Noire, 5 5/8″ x 8 1/8″.
Sunken, then gone; 2010. Intaglio.
What has been done (question mark), 2011. Etching, Monotype, Silkscreen, Watercolor Pencil.
What has been done (period), 2011. Etching, Monotype, Silkscreen, Ink Pencil.
Curtain and Hearth, 2009; Litho, Watercolor Pencil and Oil-Based Monotype
Fractured Light and Drained Pigment, 2009; Litho and Watercolor Pencil
Cutting the Passage, 2009; Litho and Oil-Based Monotype
Strife and Stripes, 2009; Litho, Watercolor Pencil, Chine Collé and Silkscreen
You Subvert Me; Island Timber, 2009; Silkscreen, Oil-Based Monotype and Watercolor Pencil
Your Fun Revealed, 2009; Engraving, Mezzotint and Oil-Based Monotype
Character Development, 2009; Engraving, Silkscreen and Oil-Based Monotype
Soft Theater, 2009; Litho and Silkscreen
Encroaching White, 2009; Litho, Engraving and Oil-Based Monotype
Tiny Blossoms, 2008; Oil-Based Monotype and Graphite
Invisible Attack, 2009. Engraving and oil-based monotype.
Black Knife Embrace, 2009; Intaglio, Silkscreen and Chine Collé
Pink Knife Embrace, 2009. Sugar-lift aquatint, silkscreen and oil-based monotype.
Barred Beauties, 2009; Litho, Silkscreen and Oil-Based Monotype
I, Fly, 2009; Mezzotint, Oil-Based Monotype and Watercolor Pencil
Fly Vision, 2009; Silkscreen, Oil-Based Monotype and Litho
It’s Fucking Sublime, 2009; Silkscreen and Oil-Based Monotype
First Encroaching Swarm, 2009
Flies, Flowers and Fun, 2009; Litho, Engraving, Silkscreen and Chine Collé
Her Loving Embrace, 2009; Litho, Silkscreen and Oil-Based Monotype
Sublime Skin Swarm, 2009; Litho, Silkscreen and Chine Collé
We Weave Together, 2007; Woven Lithographs
Barred Beauties, 2009. Litho, silkscreen and oil-based monotype.
(You) Subvert Me (torn), 2009. Silkscreen and oil-based monotype.
A Gaze at Sunset the Wing Grazed, 2008. Triptych. Silkscreen and Conté.
Their Dried Frames and Moist Humours, 2008. Silkcreen and Conté.
My Feet are Sticky Too, 2008. Engraving, silkscreen and oil-based monotype.
Fly Aye Aye, 2008. Silkscreen and oil-based monotype.
Proscenium, 2008. Fabric, flocking, silkscreen and graphite.
Portrait with Knife and Flower, 2008. Graphite and oil-based monotype.
Swarm Mélange, 2008; silkscreen and monotype
My Good Friends’ Logs, 2008. Silkscreen.
This is the Most Fun, 2008. Silkscreen.
You Were Always There with Us (Friends), 2008; screenprint.
You Subvert Me, 2008. Silkscreen, oil-based monotype and litho.
Screenprint created by Kathleen Hudspeth for the Rivalry Atlantic Coast Conference Print Exchange, organized by Jonathan Thomas. Rivalry was displayed at the Southern Graphics Conference in 2008. 4-run screenprint from hand-drawn posities, edition of 22. 11″ x 15″.